UCC Excellence Scholarships for Masters and PhD Students

If you’re applying to the UCC MA in Music and Cultural History, or for a PhD at UCC, you should also apply for an Excellence Scholarship. The scholarships cover EU tuition fees and are tenable for the duration of the student’s chosen postgraduate course.

Applicants must have at least Second Class Honours (Grade 1) or equivalent in their first or subsequent degree and must have already applied for their chosen postgraduate course. A referee’s report will be required as part of the application process.

The scholarship deadline for MA applicants is 10 April, 2016. PhD applicants can apply until 17 April, 2016.

For scholarship information and application forms, see: http://buff.ly/20gtms4.

The one-year MA in Music and Cultural History is a progressive alternative to conventional postgraduate courses in musicology, and it draws on the diverse expertise of internationally renowned scholars to combine the very best of traditional and contemporary scholarly practice.

During the course you will be presented with the opportunity to acquire and develop core musicological skills, including research techniques, the critical editing of music, and the close reading and analysis of musical texts. You will also engage with some of the most exciting developments in recent music scholarship, including:

explorations of politics,
gender and sexuality in music
race and ethnicity in music
(dis)ability in music
the interaction of music with other media
musical globalisation
the manifold issues in today’s popular music and culture, and
the new links being formed between musicology and other disciplines such as film studies, cultural studies, postcolonial theory, and philosophy.

In 2016-17, the taught modules will include sound studies, multidisciplinary debates in ethnomusicology and musicology, performance studies, the body in creative arts practice, music and popular culture, and music and cinema.

Read the rest.

Sexualities, Textualities, Art and Music in Early Modern Italy Published

A stack of three copies of Sexualities, Textualities, Art and Music in Early Modern Italy, ed. Melanie L. Marshall, Linda L. Carroll, and Katherine A. McIver. The front cover is uppermost. The cover art is Titian's Venus with the Organ Player (c.1550) from the Prado, Madrid. This painting shows a male organist at a small chamber organ. He is seated on the edge of a bed, and looking back over his right shoulder at the pudenda of the nude Venus. She is reclining on a sumptuous velvet cloth covering the bed. Her left hand caresses a small dog. She wears bracelets on each wrist, and a necklace. Her curly blonde hair is up. In the background is a painting of a fountain and a tree-lined avenue.

Sexualities, Textualities, Art and Music in Early Modern Italy, ed. Melanie L. Marshall, Linda L. Carroll, and Katherine A. McIver

This new book, co-edited by UCC Lecturer in Music and Marie Curie Fellow, Dr Melanie Marshall, with Linda L. Carroll and Katherine A. McIver, explores how the arts shape the erotic and the sexual. Taking medieval and early modern Italy as its focus, the authors follow a wide cross-section of subjects as they imagine, experience and strive to regulate the sensual in fields as diverse as religion, painting, literature, acting, musical performance and humour.

The result sheds light on a world very like our own: as economic, religious and political upheaval coalesced into a new European social order, the foremost artists, musicians and playwrights rubbed shoulders (and more) with cross-dressing actors, pimps, moralists and papal reformers. Sexual autonomy was sought, celebrated and veiled, subverted and sold, satirized and sentimentalized.

In a period before the emergence of formal definitions that encourage us now to perceive homosexuality and heterosexuality through a lens of difference, early-modern Italian culture makers like Titian, Giorgione, Vecchi, Boccaccio, Ruzante, Castellino, and even distinguished patrons and reformers like Pope Leo X and Cardinal Ercole Gonzaga, were engaged in creating fluid and stimulating representations of human love and lust, capturing in their art the full realities of the sexual activity they themselves knew. Their realisations can inform our perspectives today on both early modern Italian art and culture and on modes of contemporary sexual expression.

Sexualities, Textualities, Art and Music in Early Modern Italy, edited by Melanie L. Marshall, Linda L. Carroll and Katherine A. McIver is published by Ashgate.
ISBN: 978-1-4094-6468-6. Regular price €60, website price €54. http://www.ashgate.com/isbn/9781409464686