‘Return’ is the theme of the summer for me (not in the equivocal sense!). I’ve worked out how to turn my doctoral dissertation into a book, and I seem to have the stomach for writing it now, too, so I’m returning to some familiar material and of course taking quite a new angle. I’m heading to Italy to do some archival research—back to Italy, back into archives after what feels like a long break. I’ve also been revisiting one of the primary sources I began to look at during my Marie Curie fellowship. (One of the chapters I’d planned to include in a monograph on music & eroticism in 16th-century Rome that I think will fit better in the villotta book.) I’m racing to have my introduction, sample chapter and book proposal ready to send off by the time teaching resumes in early September. Gulp.
And once women are working as professional musicians, they get written about as if they are only bodies, or only supposed to be bodies. Maura Johnston’s How Not To Write About Female Musicians: A Handy Guide (in Village Voice) is a must read for anyone writing about women musicians.
Update: The coverage of Whitney Houston’s death highlights several myths of women in music (especially women in popular music); Susie Bright pulls some of them apart.